Johnny Griffin & Eddie “Lockjaw” Davis—tenor saxophones
Horace Parlan—piano • Buddy Catlett—bass • Art Taylor—drums
*Official release of previously unissued live recordings of the Johnny Griffin-Eddie “Lockjaw” Davis Quintet recorded May 30, 1962 & June 6, 1962 at the Penthouse, Seattle, Washington
*Remastered audio from the original AMPEX 350 10” tapes at 7½ IPS
Ow! Live at The Penthouse is a collection of previously-unissued recordings by the supercharged saxophone duo of Johnny Griffin / Eddie “Lockjaw” Davis captured over 2 nights at the famous Penthouse jazz club in Seattle, WA in 1962. Though the tenor sax battle became a fixture of the hard bop era after Dexter Gordon and Wardell Gray established the format with “The Chase” in 1947, no duo was as powerful or as prolific as Davis, a veteran of the Count Basie Orchestra and a popular trio with organist Shirley Scott, and Griffin, noted for his high-voltage work with Thelonious Monk. The pair who became known known as “the Tough Tenors” cut nine LPs – including four live albums caught at Minton’s in New York – for Prestige and Jazzland in 1960-62. This limited edition deluxe CD set features the potent rhythm section of Horace Parlan on piano, Buddy Catlett on bass and Art Taylor on drums.
Samstag, Februar 07, 2026
Lightnin Hopkins - Bring Me My Shotgun – The Essential Collection
Superb vinyl compilation by one of the most prestigious bluesmen in the history of the genre, Lightnin’ Hopkins, featuring the legendary cuts “Mojo Hand,” “Shake That Thing,” and, of course, “Bring Me My Shotgun!”
Includes the entire 1960 studio album, Mojo Hand, plus many more classics recorded between 1949 and 1960 with such timeless favorites as “Shake That Thing,” “I’m Leaving You Now” and lots more!
released January 23, 2019
All Tracks Recorded In New York City In November 1960 Except "Lonesome Dog Blues" Recorded In Houston, TX circa 1949 - 1950
Sadao Watanabe - Sadao Watanabe 1961
Here is the very first album by legendary Japanese saxophone player Sadao Watanabe, released in 1961 on King Records. Born in 1933, Sadao Watanabe is a world-famous jazz musician playing alto saxophone, sopranino saxophone and flute. He moved to Tokyo after graduating from high school and then, in 1962, moved to Boston to study at Berklee College of Music. He has released more than 50 albums during his exceptional career.
Recorded on 15 & 16 August 1961 at Toshi Center Hall.
Alto Saxophone, Flute: Sadao Watanabe
Bass: Masanaga Harada
Drums: Akihiro Hasegawa, Takeshi Inomata
Piano: Kazuo Yashiro
Trumpet: Akira Nakano
Supervised by Jiro Kubota
Samstag, Januar 31, 2026
Noa Mal - Chipped Nails
025年の来日公演の余韻も残る中、Noa Malからのニューイヤーギフト。大人気カセットImpostor Syndromeに収録されNoa Malを代表する2曲"Chipped Nails"と"Isolation"、現時点で初フィジカル化の名曲"WHO I AM IS WHAT I LEAVE BEHIND"の3曲が7インチレコードになりました。
すべてYusuke Oshima (ALL OF THE WORLD)によるリマスターです。
オリジナル収録アルバム
1. Chipped Nails (from Impostor Syndrome 2021)
2. Isolation (from Impostor Syndrome 2021)
3. WHO I AM IS WHAT I LEAVE BEHIND (from Suspended Animation 2023)
released January 31, 2026
all tracks produced, written and recorded by N.M
mastered by Yusuke Oshima (ALL OF THE WORLD)
https://twitter.com/N0AMAL
https://www.facebook.com/noamal666
https://noamal.bandcamp.com/music
https://soundcloud.com/noamal00
https://www.youtube.com/@N0AMAL
Freitag, Januar 23, 2026
THE MOLICE - DIMENSION
This is our 10th original album "DIMENSION"
released January 23, 2026
THE MOLICE :
Rinko ( Vocal & Rhythm Guitar )
Yuzuru ( Guitar )
Paro ( Drums )
All music and lyrics written by Rinko
Produced by THE MOLICE
Recorded at Chiron Audio Japan
Mixed and Mastered by Hirofumi Katsumoto ( Chiron Audio )
Recording Engineer : Hirofumi Katsumoto ( Chiron Audio )
Art Direction & Design by Rinko
Photo by Lance Claypool
https://molice.bandcamp.com/music
https://molice.bandcamp.com/merch
https://themolice.com/
https://www.facebook.com/molice.music
https://twitter.com/Molice_News
https://twitter.com/MOLICE_VOICE
https://open.spotify.com/artist/2iAaXmbKQdiERa1WcuEQll?si=YCjiGHR_TiumBMECbdUtIw
https://www.youtube.com/c/THEMOLICE
Samstag, Januar 17, 2026
Mitski - Nothing's About to Happen to Me
Nothing’s About to Happen to Me is the eighth studio album by Mitski.
All songs and vocals are by Mitski. The album was produced and engineered by Patrick Hyland and mastered by Bob Weston, with assistance on drums and logistics from Kris Bulakowski.
Continuing the musical through line established with The Land Is Inhospitable and So Are We, the album features live instrumentation by The Land touring band and ensemble arrangements. The orchestra was recorded at Sunset Sound and TTG Studios, arranged and conducted by Drew Erickson, engineered by Michael Harris, with additional engineering by Isaac Diskin and assistance from Alex Miller.
Standout singles include “Where’s My Phone?,” “I’ll Change for You,” and “If I Leave.”
Mitski is currently writing the music and lyrics for the musical adaptation of The Queen’s Gambit. Her concert film, Mitski: The Land, recently had its cinematic release in 27 countries, and was accompanied by The Land: The Live Album.
releases February 27, 2026
All Vocals by Mitski
All Songs Written by Mitski
Produced & Engineered by Patrick Hyland at home
Assistance with drums and logistics from Kris Bulakowski
Orchestra recorded at Sunset Sound & TTG Studios
Drew Erickson–Arranger, Conductor
Michael Harris–Engineer
Isaac Diskin–Additional Engineering
Alex Miller–Assistant Engineer
Mixed by Patrick Hyland
Mastered by Bob Weston
https://www.mitski.com/
https://twitter.com/mitskileaks
https://www.facebook.com/MitskiLeaks/
https://mitski.bandcamp.com/
https://www.youtube.com/@mitskileaks
Donnerstag, Dezember 25, 2025
Eryyy - SOKO NI ARU DAKE LP
Eryyy's third album, by the Japanese beatmaker and singer.
This album features a sound blending electronica, pop, and ethnic elements with improvisational keyboard phrases and live instrument samples. Eryyy's vocals, combining catchy J-POP qualities with a dark edge, paired with dance music-inspired minimal beats, create a unique sense of floating for the listener.
released September 16, 2025
Music / Arrange / Lyrics / Recorded by Eryyy
Mixed and Mastered by Noriyuki Takagi a.k.a. NT
https://eryyy.bandcamp.com/music
Mai Mishio - Turn Around
Eight years after her previous album, "Usotsuki Mishio," Mai Mishio's latest album, "Turn Around," is an ambitious work co-produced by Takuro Okada and mastered by Alex DeTurk, an engineer at New York's The Bunker Studio who has worked on Big Crown Records releases and with David Bowie and D'Angelo.
In addition to rearranged and re-recorded versions of her signature tracks "Sayonara, Sayonara" and "Muinai na Denwa," the album features a diverse selection of tracks that transcend the boundaries of band sound, including "Cheek Time," which incorporates Chicano soul and '60s pop vibes, and "Things I've Done
" a danceable track with a mellow, tropical vibe that also hints at Brazilian psychedelia.
The album lies somewhere between retro and vintage, leaving listeners with a deep sense of satisfaction. The artist photo was created by photographer Katsuhide Morimoto. Art director Nagato Tetsuya layered the photograph on paper and re-photographed it with a macro lens, creating an image that visualizes the work in a minimalist and noble way, becoming a symbolic artwork.
released November 19, 2025
All Songs Written by Mai Mishio
(‘Quiet Night’ English translation by Atto Armoo)
The recording members of Goodfellas are
Mai Mishio (Vocal, Backing Vocal, Electric Guitar, Acoustic Guitar, Electric Bass, Piano )
Tomoyuki Ōtsuka (Electric Bass)
Mitsuhisa Sakaguchi (Piano, Rhodes, Wurlitzer, Synthesizer)
Kazuhiko Masumura (Drums,Percussion,Cuíca)
mmm (Flute, Voice)
Takuro Okada (Electric Guitar, Acoustic Guitar, Twelve-string Guitar, Pedal Steel Guitar, Electric Bass, Wurlitzer, Mellotron, Farfisa, Synthesizer,Percussion)
Sound Produced and Arranged by Takuro Okada, Mai Mishio
Recording Engineer by Shinsuke Sasakura, Takuro Okada, Kazuhiko Masumura, Mai Mishio
Mixed by Takuro Okada at OKD Sound Studio
Mastered by Alex DeTurk at The Bunker Studio
Mastering Assistant Heoliny Jung at The Bunker Studio
Recorded at Walk On Soli Studio, OKD Sound Studio, Studio Aoyama, Smalltalk Studio. From July To September 2025
Art Directed and Designed by Tetsuya Nagato
Photographs by Katsuhide Morimoto
English Consultation by Moe Ishii
Management by Takayuki Tashiro(Lemon House Inc.),Sachiko Fukuo(Lemon House Inc.)
Executive Producer by Takayuki Tashiro(Lemon House Inc.)
https://x.com/mishio_mai
https://playmaimishio.bandcamp.com/music
Samstag, Dezember 06, 2025
THE QUESTIONS - Best Answer
released December 5, 2025
THE QUESTIONS formed in Koza, Okinawa in 2019, featuring the talented Chelio (SIX). Their original pop-infused songs blend rock, punk, and garage rock, and—together with their wild stage presence— have made them unforgetable to anyone who sees them live. Last year, the power trio even provided the soundtrack for a Ryukyu Nissan commercial—appearing in it themselves.
Now, it’s Time for their debut LP: “Best Answer”! The album is incredibly catchy and versatile. From wild, lo-fi punk instrumentals like “Beehive!!” and “Howling Bowl”, to cool pop-punk tracks like “I Want You”, “45”, and “QuesSons-theme”. There are also danceable garage punk songs like “Brighton Beach”, “Koi no yokan”, and “Yoakenotori ga naita”. The track “I am I” references the SONICS' guitar sound and adds cool Japanese female vocals, screams, and harmonies.
The album also includes two wild, punky cover versions: the R&B classic “I Got My Mojo Working”, and a charming yet incredibly cool take on Jacques Dutronc’s “Les Cactus”. And with “Honey Pye”, they even deliver a catchy off-beat tune with a feel-good pop-punk ajtude.
This album is top-quality Japanese rock—from beginning to end!
https://soundflatrecords.bandcamp.com/album/the-questions-best-answer
THE LET'S GO's - Tracks For Lucks! -SWAMP BAG SESSIONS-
It's a very first cover mini-album from Tokyo’s rock’n’roll trio THE LET’S GO’s.
In celebration of our upcoming EU & UK tour, we paid tribute to the music that has inspired us across eras and borders. From British punk and classic rock to French pop and beyond, these songs have been reimagined with our own garage-punk spirit and Japanese rock energy.
This album captures the raw excitement of our live sound while honoring the timeless legacy of these iconic artists.

released September 12, 2025
https://theletsgos.bandcamp.com/music
https://theletsgos.jimdofree.com/
https://x.com/THELETSGOs
https://www.facebook.com/the0252
https://www.youtube.com/@TheLetsGosShow
Soda Pops - Sweet Nothing
Bubbling with bright riffs and bittersweet vibes, Soda Pops bring a sugar-coated chaos with their garage pop tunes with distorted guitars, tongue-in-cheek lyrics about serious issues like substance abuse & mental health problems, sing-along hooks, and enough sweet nothings to keep your heart warm while it breaks.
released December 2, 2025

Cherry Twist - lyrics, vocals, cover art
Candy Crash - music, all the instruments, backing vocals
Ville Valavuo - recording, mixing, mastering
https://sodapopsgogo.bandcamp.com/album/sweet-nothing
Samstag, November 15, 2025
Ginger Root - SHINBANGUMI
released September 13, 2024
Step inside the world of Ginger Root. Cameron Lew makes it easy to do so; every considered detail is his own manifestation, written, designed, and executed as an all-encompassing diorama of sound and sight. A multi-instrumentalist, producer, songwriter, and visual artist from Southern California, Lew has crafted his project steadily since 2017, inviting a fervent and growing legion of fans into storylines drawn across mediums: captivating albums with accompanying films and globe-spanning tours. The Ginger Root sound — handmade yet immaculately polished synth-pop, alt-disco, boogie, and soul — takes shape through Lew's lens as an Asian-American growing up enamored by 1970s and '80s music, specifically the creative and cultural dialogue between Japanese City Pop and its Western counterparts from French Pop to Philly Soul to Ram-era McCartney. He spins his retro-minded influences and proliferates savvily in the present, synthesizing a songwriter's wit, an editor's eye, and a producer’s resource into something singular and modern. SHINBANGUMI, his long-awaited third LP, and Ghostly International debut set for physical release in 2024 with a visual album component, translates roughly to a new season of a show. It finds Lew more poised, idiosyncratic, and intentional than ever in a new chapter of life, unlocking "exactly what Ginger Root should sound and feel like," he says. "In terms of instrumentation and musicality, it's the first time that I felt very confident and comfortable with what everything should be comprised of. On the more personal side, I'm coming out of the last four years of writing, touring, and living as a different person; SHINBANGUMI is a platform to showcase my new self."
https://www.gingerrootmusic.com/
https://gingerroot.bandcamp.com/
https://www.facebook.com/gingerrootmusic/
https://x.com/gingerrootmusic
Donnerstag, November 13, 2025
BB BOMB - Practice Songs
A Taichung-based Taiwanese band, known as a classic Taiwanese punk band, was formed in 2003, a rare year for female punk bands. It originated from the art department of a university. After multiple lineup changes, their
songs are driven by a female perspective, with tight, direct, and fast structures. The melodies and vocals are full of the unique sense of life that reflects the experience of Taiwanese women.
This album is made in partnership between Damnably records and JDBG records featuring previously released ep's and tracks 4, 7,13 & 15 are new.
released October 3, 2025
Producer|Slater C[1、2、5、10、12、14], JDBG records, and BB BOMB
Recording|Ippei Suda at Yotsubashi LM Studio[3、4、6、7、8、9、11、13、15],Slater C at Rebel sound studio[1、2、5、10、12、14]
Recording Assistant|Leon Zheng[1、2、5、10、12、14]
Mixing Engineer|Ippei Suda at Yotsubashi LM Studio[3、4、6、7、8、9、11、13、15],Slater C at Rebel sound studio[1、2、5、10、12、14]
Mastering|Ippei Suda at Yotsubashi LM Studio
Backing Vocals|Hsu Pei Hsing, Iven Chang, Sanyoo Yang
Art Design|Sanyoo Yang
Lyrics Translation (English) by Calvin Jordan, Annapeen
Lyrics Translation(Japanese)|Dawang Huang
Songs/lyrics|Hsu Pei Hsing
Composition|BB BOMB
Released by Damnably Records in partnership with JDGB Records.
Copyright & Publishing Damnably 2025 under license from JDBG Records
https://bbbombband.bandcamp.com/music
https://x.com/bbbombbandTW
https://www.youtube.com/@BBBombband
Samstag, November 01, 2025
THE MOLICE - PLANETS
released October 31, 2025
THE MOLICE :
Rinko ( Vocal & Rhythm Guitar )
Yuzuru ( Guitar )
Paro ( Drums )
Produced by THE MOLICE
Recorded at Chiron Audio Japan
Mixed and Mastered by Hirofumi Katsumoto ( Chiron Audio )
Recording Engineer : Hirofumi Katsumoto ( Chiron Audio )
Art Direction & Design by Rinko
Photo by Lance Claypool
Additional Musicians : William Jackson( Bass )
https://molice.bandcamp.com/music
https://molice.bandcamp.com/merch
https://themolice.com/
https://www.facebook.com/molice.music
https://twitter.com/Molice_News
https://twitter.com/MOLICE_VOICE
https://open.spotify.com/artist/2iAaXmbKQdiERa1WcuEQll?si=YCjiGHR_TiumBMECbdUtIw
https://www.youtube.com/c/THEMOLICE
Samstag, Oktober 25, 2025
moja - I'm hungry !!
moja - I'm hungry !!
Tokyo-based drum and bass duo Moja return with their most visceral release yet
Moja embrace natural sonic energy over lyrical storytelling with their newest ‘I’m Hungry’. Japanese duo strips rock down to its purest form – distortion, rhythm, and chemistry – creating a wall of sound that is both abrasive and hypnotic. “Our music has no romantic lyrics. Nor does it have gentle words that can soothe someone. It’s about feeling the beat, the swell of the riffs, the collision of sounds, and the moments when the emotions of Moja and the audience intersect and spark a chemical reaction”, explains the band.
This is raw sonic assault, built on the primal dialogue of bass and drums. No gimmicks, no filler – just energy that erupts with unrelenting intensity. According to Masumi (drums): “A world that makes your blood boil and your body move – that is everything in Moja’s music”.
I’m Hungry !! captures the essence of the band’s live performance – uncompromising, untamed, and unfiltered. “What captivates us most in our performances is the kind of raw, blood-stirring energy that makes your whole body come alive – and we believe that’s one of our defining traits. Our songwriting and album production are simply the pure expression of that fire”, says Haru (bass and vocals).
The album serves as a sonic manifesto: a fearless exploration of unrefined emotion – explosive and intimate at once. “The sound we want to create is something that, in the end, only we can truly understand”, shares the band. “Also, since we sometimes start writing songs during the recording process, working just the two of us means there are no time constraints.” – the spirit of DIY culture united with the rich Japanese noise-rock culture rose on the upcoming LP. Recorded by Haru himself, it helped the band to remain in control on both dynamic changes as well as the quality of their work.
The first single “Oh My God!!” unleashes that chaos – a sharp, urgent track that sets the tone for the album. With its distorted throbbing bassline and relentless drumming, it’s both an introduction and a warning: Moja are here to shake the ground beneath your feet.
released September 26, 2025
https://hello-moja.bandcamp.com/music
https://x.com/mojabass
https://www.youtube.com/@mojafromTokyo

