C. Memi + Neo Matisse - Live At Taku Taku 1980 CS
C. Memi + Neo Matisse - Live At Taku Taku 1980 CS (BLR-009)
During their brief tenure as a band from 1980-1981, Osaka new wavers C. Memi + Neo Matisse released only one 7” single, No Chocolate b/w Dream’s Dream, which has cemented the band’s legacy within the 1980s Japanese Underground.
In mid-1980, Memi and the original Neo Matisse lineup of Tohru Saitoh, Jun Iwasaki, and Hidekazu Ishii were invited to perform a showcase set at Kyoto’s legendary Live House Taku Taku. As they were the only band playing and were expected to play over an hour, the band’s set was comprised of the songs from their single, a dozen, unrecorded originals, and charming covers of Jefferson Airplane’s “Somebody To Love” and the musical standard “I Could Have Danced All Night”.
With the vast array of exclusive material, this live show reveals a far more comprehensive look at what C. Memi + Neo Matisse were like as a band, highlighting the band’s connections to local art and poetry circles; “A Mid-February Sky Dance” is musical adaptation of the poem of the same name by ex-pat writer Richard Brautigan and many of the songs' lyrics were co-written by Memi’s poet husband, Yasuhito Nagahara.
Ultimately, only a few of these songs were recorded posthumously in the studio in 1982, a year after the band had broken up, amicably. This particular live set is the lone document to capture the full essence of the original lineup of C. Memi + Neo Matisse. The band would return to Taku Taku with new bassist Yasuo Ueda less than a year later to perform at Answer ‘81 with The Stalin, Hijokaidan, and more, which has also been documented and will be released by Bitter Lake Recordings as BLR-010. This cassette is limited to 100 copies.
released July 12, 2019
C. Memi + Neo Matisse - Live At Taku Taku 1980 CS (BLR-009)
In mid-1980, Memi and the original Neo Matisse lineup of Tohru Saitoh, Jun Iwasaki, and Hidekazu Ishii were invited to perform a showcase set at Kyoto’s legendary Live House Taku Taku. As they were the only band playing and were expected to play over an hour, the band’s set was comprised of the songs from their single, a dozen, unrecorded originals, and charming covers of Jefferson Airplane’s “Somebody To Love” and the musical standard “I Could Have Danced All Night”.
With the vast array of exclusive material, this live show reveals a far more comprehensive look at what C. Memi + Neo Matisse were like as a band, highlighting the band’s connections to local art and poetry circles; “A Mid-February Sky Dance” is musical adaptation of the poem of the same name by ex-pat writer Richard Brautigan and many of the songs' lyrics were co-written by Memi’s poet husband, Yasuhito Nagahara.
Ultimately, only a few of these songs were recorded posthumously in the studio in 1982, a year after the band had broken up, amicably. This particular live set is the lone document to capture the full essence of the original lineup of C. Memi + Neo Matisse. The band would return to Taku Taku with new bassist Yasuo Ueda less than a year later to perform at Answer ‘81 with The Stalin, Hijokaidan, and more, which has also been documented and will be released by Bitter Lake Recordings as BLR-010. This cassette is limited to 100 copies.
released July 12, 2019
C. Memi + Neo Matisse - Live At Taku Taku 1981 CS
C. Memi + Neo Matisse - Live At Taku Taku 1981 CS (BLR-010)
During their brief tenure as a band from 1980-1981, Osaka new wavers C. Memi + Neo Matisse released only one 7” single, No Chocolate b/w Dream’s Dream, which has cemented the band’s legacy within the 1980s Japanese Underground.
Released as a companion piece to BLR-009, the Live At Taku Taku 1980 CS, we see C. Memi + Neo Matisse return to the staple Kyoto venue on April 19, 1981, this time being invited to take part in the now-legendary Answer ‘81 Easter Gig with some of the most infamous names in the Japanese Underground: (pre-Trash) The Stalin, Hijokaidan, Auschwitz, and Hovlakin.
While the C. Memi + Neo Matisse set at this show lacks some of the hysterics of some of the others sets, which include but are not limited to public urination, nudity, and, well, the actual music of Hovlakin, their performance was one of their best. Yasuo Ueda had become bassist in Neo Matisse and the band was as tight as ever.
A much more concise set than their 1980, the Live At Taku Taku 1981 CS captures the band at its peak power, seamlessly burning through each song with no breaks or stops. While the lives of each member would take them in different directions and the band would dissolve later that year, it is this same lineup of close friends that would come together in 1982 to record an unreleased LP that is perhaps their crowning achievement. This cassette is limited to 100 copies.
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